Mohammad Rakibul Hasan

The Last Savings
by Mohammad Rakibul Hasan

“The Last Savings” is the existing reality of 7 million slum dwellers in Bangladesh. Every image from this series is portraying severe hunger, deprivation and uncertainty of coming days. This work presented the most vulnerable families with their almost empty food storage and their inaudible cry for support during this global pandemic. The families are from Korail Slum, the largest slum of Bangladesh, where 100,0000 inhabitants are jeopardy living with no hope. Our collaborate support could help the families depicted in the photographs to survive and thrive. 50% of each print sale from this project will directly go to the families to provide them a livelihood solution. In this fight by our little help we can lift lives with humility and love. 
Mohammad Rakibul Hasan

The world is at risk of widespread famines caused by the coronavirus pandemic. The impact of global economic devastation caused by Covid-19 has already declared as the worst humanitarian catastrophe since the Second World War. The number suffering from hunger could go from 135 million to more than 250 million. For Bangladesh, it has become a death toll, socio-economic pandemonium and food shortage upheaval.

House maid Hamida Begum who is now out of work said, “We only have forty Taka (Less than US fifty cents) at home. We have to drink poison, if we cannot go out for work. Who will save us from hunger?” The sufferings of approximately 7 million slum dwellers around Dhaka city are multiplying due to fall in income and price hike of consumer goods. There is hardly any food supply left in low income people’s houses, let alone ensuring cleanliness.
Most slum dwellers living in different parts of the capital no longer worrying about the virus and its infection but what worries them is hunger as they cannot go out for work. Their empty food storage and remaining little food supply can not save them from starvation and hunger in coming days.



Mohammad Rakibul Hasan is a Dhaka Based documentary photographer, filmmaker and visual artist. His work explores the themes of human rights, social development, migration, gender violence and the environment. His images express the resilience of human spirit and strength at adversity.

He uses still images, text, videos, drone footage and VR to provide multi-faceted storytelling for editorial and non-profit clients. His work has published in major international outlets including Le Monde, BBC, CNN, The Guardian, The Sunday Times among many. He has been commissioned by non-profits such as Oxfam, Save the Children, Water Aid, Asian Development Bank (ADB), The World Bank, Concern, FAO of the United Nations, UN Women, USAID among others. His photo project ‘Salt’ was nominated for Ian Parry award and Joop Swart Masterclass.

He is represented by Redux Pictures and ZUMA Press. And working as contributing journalist for the Daily Star and Reuters. He is a Konrad Adenauer Stiftung Fellow. Hasan is also a faculty member of Counter Foto, a center for visual arts in Bangladesh. As a native Bangladeshi Hasan has extensive work experience in Bangladesh. And an additional reporting experience in Nepal, Thailand, Panama, Indonesia and Philippines. He has experience reporting on emergencies such as covering Rohingya exodus, South Asian flood, World’s biggest industrial disaster, political unrest, cyclone, fire tragedies, earthquake, covid-19 pandemic and many other socio-economic and political issues.

AWARDS | Recognitions

Hasan was nominated for many international awards and won hundreds of photographic competitions worldwide including Lucie Award, Human Rights Press Award and Allard Prize. His work has been screened and exhibited in various countries including USA, France, Spain, Italy, Switzerland, Canada, Austria, Germany, Poland, UAE, Russia, and UK. His latest exhibition was on ‘Gender Violence and Migration’, organized by UN in Thailand.

Hasan holds a Postgraduate Certificate in Photography from Falmouth University, UK and an Undergraduate Certificate in Higher Education in History of Art from Oxford University. He also pursued a Postgraduate Diploma in Photojournalism from Ateneo de Manila University. And graduated in Film & Video Production from UBS Film School at the University of Sydney. He is currently pursuing an MFA in Photography at Belfast School of Art at Ulster University.


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